A Guide To The Private Jets Owned By Sanctioned Russian Billionaires
2022 — art direction
Forbes
Hoops ‘Armageddon’: Duke vs. North Carolina
2022 — art direction
Forbes
The Highest-Paid Dead Celebrities
2021 — art direction
Forbes
Biden’s First Year: An Economic Scorecard
2022 — art direction
Forbes
First Time In 25 Years: Donald Trump Falls Off The Forbes 400
2021 — art direction for the Billionaires editorial package
Forbes
Forbes NFT Cover
2021 — art direction
Forbes
Welcome To “Billionaires’ Dirt Road”
2021 — art direction
Forbes
The Best Global Crypto Exchanges
2022 — art direction
Forbes
Covid Year Three Will Be Better
2022 — art direction for the Covid Year 3 editorial package
Forbes
The Highest-Paid Oscar Nominees 2021
2021 — art direction
Forbes
The Making Of New York’s $150 Million ‘Cannabis Campus’
2021 — art direction and illustration
Forbes
A Case for Keeping it Random
2021 — art direction, front-end development
The New York Times x Dashlane
Behind the 5G Experience
2020 — art direction, front-end development
The New York Times x Verizon
An Ode to New York This Summer
2020 — art direction, front-end development
The New York Times x NYC
How Accurate Are Hit Songs?
2017 — art direction, front-end development
The New York Times x Spotify
Guccy × Ignasi: Burnt Dream
2017 — art direction, front-end development
The New York Times x Gucci
Is Your CBD Oil Legit?
2019 — art direction
The New York Times x Verizon
Postcards from Florida
2020 — art direction, front-end development
The New York Times x Visit Florida
Night Swim
2019 — art direction, front-end development
The New York Times x Vince
T Brand Studio Website and CMS
2020 — art direction
T Brand at The New York Times
Networked: The 5G Future
2020 — art direction, front-end development
The New York Times x Verizon
Setting the Bar
2020 — design, front-end development
The New York Times x CBS All Access
Real Estate, Remotely
2020 — art direction, front-end development
The New York Times x Sotheby's
It All Adds Up
2019 — interaction and layout design
The New York Times x Love, Beauty and Planet
Paula Abreu Pita
2020 — art direction
Paula Abreu Pita
The PC Is Ready to Grow Up
2018 — art direction, front-end development
The New York Times x Qualcomm
‘No Spectators: The Art of Burning Man’
2018 — art direction, front-end development
The New York Times x The Smithsonian
Can Whale Snot Save Our Oceans?
2017 — design, front-end development
The New York Times x Intel
(Project Class Control)
2021 — lorem ipsum dolor
Larry Ipsum x The World
It’s Possible to Design a Workspace That Employees Love. Here’s How.
2018 — art direction, front-end development
The New York Times x Verizon
How Heart (and Cookies) Rebuilt a Chicago Community
2018 — art direction, front-end development
The New York Times x US Bank
What We Learned From 3 Historic Diseases
2018 — design lead
The New York Times x Bayer
From Wilderness to Wellness
2019 — design, front-end development
The New York Times x Traditional Medicinals
Innovation Uncovered (Podcast)
2020 — art direction
The New York Times x Invesco
The Kindness Contributors
2020 — art direction, front-end development
The New York Times x PayPal
‘Tis Just Before the Holidays, and Your Shopping Isn’t Done...
2020 — art direction, front-end development
The New York Times x Capital One
Retirement in America Today
2020 — art direction
The New York Times x Alliance
Small Changes, Real Impact
2020 — art direction, front-end development
The New York Times x 3M
How to Spend 3 Days in a Coastal Paradise
2020 — art direction, front-end development
The New York Times x The Beaches of Fort Myers and Sanibel
Diamond Mining Comes of Age
2017 — design, front-end development
The New York Times x DPA
Fernando is currently ‘Art Director’ at Forbes. Formerly an Art Director at The New York Times’s T Brand (2017–2021). He specializes in art direction, editorial design, and creative coding. For more than a decade, he has been collaborating with clients from the cultural and commercial sector on a broad range of projects, including identities, websites, posters, exhibitions, books and other print and digital publications.
He grew up in Sao Paulo and now lives in New York City. He is also a volunteer board member at Instituto Bem do Estar, a non-profit organization focused on mental health where he acts as a Creative Director.
Clients include:
— BMW
— City of New York
— Dropbox
— Facebook
— Google
— Gucci
— Sotheby's
— Spotify
— The New York Times
— The Smithsonian Museum
© 2021. All Rights Reserved.